LIRIK LAGU JUST THE WAY U ARE _ BRUNO MARS

Her eyes, her eyesmake the stars look like they're not shiningHer hair, her hairfalls perfectly without her tryingShe's so beautifulAnd I tell her everyday (yeahh)
I know, I knowWhen I compliment her she won't believe meAnd it's so, it's soSad to think that she don't see what I seeBut everytime she asks me "Do I look okay?"I say
[Chorus]When I see your faceThere's not a thing that I would change'Cause you're amazingJust the way you areAnd when you smileThe whole world stops and stares for a while'Cause girl you're amazingJust the way you are
[Verse 2]Her lips, her lipsI could kiss them all day if she let meHer laugh, her laughshe hates but I think it's so sexyShe's so beautifulAnd I tell her everyday
Oh you know, you know, you knowI'd never ask you to changeIf perfects what you're searching forThen just stay the sameSo don't even bother asking if you look okay'Cause you know I'll say
[Chorus]When I see your faceThere's not a thing that I would change'Cause you're amazingJust the way you areAnd when you smileThe whole world stops and stares for a while'Cause girl you're amazingJust the way you are
The way you areThe way you areGirl you're amazingJust the way you are
[Repeat Chorus]
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LIRIK LAGU THE LAZY SONG _ BRUNO MARS

Today I don't feel like doing anythingI just wanna lay in my bedDon't feel like picking up my phoneSo leave a message at the tone'Cause today I swear I'm not doing anyhing
I'm gonna kick my feet upThen stare at the fanTurn the TV on, throw my hand down my pantsNobody's gonna tell me I can't
I'll be lying on the couch,just chillin' in my snuggieClick to MTV, so they can teach me how to dougie'Cause in my castle I'm the freaking manOh Oh
Yes I said itI said itI said it 'cause I can
Today I don’t feel like doing anythingI just wanna lay in my bedDon’t feel like picking up my phoneSo leave a message at the tone'Cause today I swear I'm not doing anythingNothing at all
Tomorrow I'll wake up do some P90XMeet a really nice girl, have some really nice sexShe's gonna scream out: 'This is Great'[Hear me out: this is great]Yeah
I might mess around, get my college degreeI bet my old man will be so proud of meBut sorry paps, you'll just have to waitOh Oh
Yes I said itI said itI said it 'cause I can
Today I don’t feel like doing anythingI just wanna lay in my bedDon’t feel like picking up my phoneSo leave a message at the tone'Cause today I swear I'm not doing anything
No I ain't gonna comb my hair'Cause I ain't going anywhereNo no no no no no no no no-oh
I'll just strike in my birthday suiteAnd let everything hang looseYeah yeah yeah yeah yeah yeah yeah yeah yeah-eah
OhToday I don’t feel like doing anythingI just wanna lay in my bedDon’t feel like picking up my phoneSo leave a message at the tone'Cause today I swear I'm not doing anything
Nothing at allNothing at allNothing at all
Diambil dari http://lirik.kapanlagi.com/artis/bruno_mars/the_lazy_song

LIRIK LAGU SUGAR - MAROON 5

I'm hurting, baby, I'm broken downI need your loving, lovingI need it nowWhen I'm without youI'm something weakYou got me begging, beggingI'm on my knees
I don't wanna be needing your loveI just wanna be deep in your loveAnd it's killing me when you're away, ooh, baby,'Cause I really don't care where you areI just wanna be there where you areAnd I gotta get one little taste
SugarYes, pleaseWon't you come and put it down on me?I'm right here, 'cause I needLittle love and little sympathyYeah, you show me good lovingMake it alrightNeed a little sweetness in my lifeSugarYes, pleaseWon't you come and put it down on me?
My broken piecesYou pick them upDon't leave me hanging, hangingCome give me someWhen I'm without yaI'm so insecureYou are the one thing, one thingI'm living for
I don't wanna be needing your loveI just wanna be deep in your loveAnd it's killing me when you're away, ooh, baby,'Cause I really don't care where you areI just wanna be there where you areAnd I gotta get one little taste
SugarYes, pleaseWon't you come and put it down on me?I'm right here,'cause I needLittle love and little sympathyYeah, you show me good lovingMake it alrightNeed a little sweetness in my lifeSugar! (Sugar!)Yes, please (Yes, please)Won't you come and put it down on me?
YeahI want that red velvetI want that sugar sweetDon't let nobody touch itUnless that somebody's meI gotta be a manThere ain't no other way'Cause girl you're hotter than a southern California day
I don't wanna play no gamesI don't gotta be afraidDon't give me all that shy shitNo make-up onThat's my
SugarYes, pleaseWon't you come and put it down on me (down on me!)?I'm right here (right here), 'cause I need ('cause I need)Little love and little sympathySo, baby, you show me good lovingMake it alrightNeed a little sweetness in my lifeSugar! (Sugar!)Yes, please (Yes, please)Won't you come and put it down on me?
SugarYes, pleaseWon't you come and put it down on me?I'm right here, 'cause I needLittle love and little sympathyYeah, you show me good lovingMake it alrightNeed a little sweetness in my lifeSugarYes, pleaseWon't you come and put it down on me ?
DIambil dari http://lirik.kapanlagi.com/artis/maroon_5/sugar

LIRIK LAGU UPTOWN FUNK
This hitThat ice coldMichelle PfeifferThat white goldThis one, for them hood girlsThem good girlsStraight masterpiecesStylin, while inLivin it up in the cityGot Chucks on with Saint LaurentGotta kiss myself I'm so pretty
I'm too hotCalled a police and a firemanI'm too hotMake a dragon wanna retire manI'm too hotSay my name you know who I amI'm too hotAm I bad bout that moneyBreak it down
Girls sent you hallelujahGirls sent you hallelujahGirls sent you hallelujahCause Uptown Funk gon give it to youCause Uptown Funk gon give it to youCause Uptown Funk gon give it to youSaturday night and we in the spotDon't believe me just watchDon't believe me just watchDon't believe me just watchDon't believe me just watchDon't believe me just watchDon't believe me just watchHey, hey, hey, oh!
StopWait a minuteFill my cup put some liquor in itTake a sip, sign a checkJulio! Get the stretch!Ride to Harlem, Hollywood, Jackson, MississippiIf we show up, we gon show outSmoother than a fresh dry skippy
I'm too hotCalled a police and a firemanI'm too hotMake a dragon wanna retire manI'm too hotBitch, say my name you know who I amI'm too hotAm I bad bout that moneyBreak it down
Girls sent you hallelujahGirls sent you hallelujahGirls sent you hallelujahCause Uptown Funk gon' give it to youCause Uptown Funk gon' give it to youCause Uptown Funk gon' give it to youSaturday night and we in the spotDon't believe me just watchDon't believe me just watchDon't believe me just watchDon't believe me just watchDon't believe me just watchDon't believe me just watchHey, hey, hey, oh!
Before we leaveI'm a tell y'all a lil somethingUptown Funk you up, Uptown Funk you upUptown Funk you up, Uptown Funk you upI said Uptown Funk you up, Uptown Funk you upUptown Funk you up, Uptown Funk you up
Come on, danceJump on itIf you sexy than flaunt itIf you freaky than own itDon't brag about it, come show meCome on, danceJump on itIf you sexy than flaunt itWell it's Saturday night and we in the spotDon't believe me just watchDon't believe me just watchDon't believe me just watchDon't believe me just watchDon't believe me just watchDon't believe me just watchHey, hey, hey, oh!
Uptown Funk you up, Uptown Funk you upUptown Funk you up, Uptown Funk you upUptown Funk you up, Uptown Funk you upUptown Funk you up, Uptown Funk you upUptown Funk you up, Uptown Funk you upUptown Funk you up, Uptown Funk you upUptown Funk you up, Uptown Funk you upUptown Funk you up
DIambil dari http://lirik.kapanlagi.com/artis/mark_ronson/uptown_funk_feat_bruno_mars

Drum

From Wikipedia, the free encyclopedia

For other uses, see Drum (disambiguation).

Talking drum.

The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is amembranophone.^[1] Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a drum stick, to produce sound. There is usually a resonance head on the underside of the drum, typically tuned to a slightly lower pitch than the top drumhead. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years.^[1]

Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by the one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit.

Contents

  [hide] 

• 1Uses
• 2Construction
• 3Sound of a drum
• 4History
  • 4.1Animal drumming
  • 4.2Talking drums
  • 4.3Drums in art
  • 4.4Military uses
• 5Types of drum
• 6See also
• 7References
• 8External links

Uses[edit]

Drums are usually played by striking with the hand, or with one or two sticks. In many traditional cultures, drums have a symbolic function and are used in religious ceremonies. Drums are often used in music therapy, especially hand drums, because of their tactile nature and easy use by a wide variety of people.^[2]

In popular music and jazz, "drums" usually refers to a drum kit or a set of drums (with some cymbals), and "drummer" to the person who plays them.

Drums acquired even divine status in places such as Burundi, where the karyenda was a symbol of the power of the king.

Construction[edit]

Drum carried by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, December 20, 1863

The shell almost invariably has a circular opening over which the drumhead is stretched, but the shape of the remainder of the shell varies widely. In the western musical tradition, the most usual shape is a cylinder, although timpani, for example, use bowl-shaped shells.^[1] Other shapes include a frame design (tar, Bodhrán), truncated cones (bongo drums, Ashiko), goblet shaped (djembe), and joined truncated cones (talking drum).

Drums with cylindrical shells can be open at one end (as is the case with timbales), or can have two drum heads. Single-headed drums typically consist of a skin stretched over an enclosed space, or over one of the ends of a hollow vessel. Drums with two heads covering both ends of a cylindrical shell often have a small hole somewhat halfway between the two heads; the shell forms a resonating chamber for the resulting sound. Exceptions include the African slit drum, also known as a log drum as it is made from a hollowed-out tree trunk, and the Caribbean steel drum, made from a metal barrel. Drums with two heads can also have a set of wires, called snares, held across the bottom head, top head, or both heads, hence the name snare drum.^[1]

On modern band and orchestral drums, the drumhead is placed over the opening of the drum, which in turn is held onto the shell by a "counterhoop" (or "rim"), which is then held by means of a number of tuning screws called "tension rods" that screw into lugs placed evenly around the circumference. The head's tension can be adjusted by loosening or tightening the rods. Many such drums have six to ten tension rods. The sound of a drum depends on many variables—including shape, shell size and thickness, shell materials, counterhoop material, drumhead material, drumhead tension, drum position, location, and striking velocity and angle.^[1]

Prior to the invention of tension rods, drum skins were attached and tuned by rope systems—as on the Djembe—or pegs and ropes such as on Ewe Drums. These methods are rarely used today, though sometimes appear on regimental marching band snare drums.^[1] The head of a talking drum, for example, can be temporarily tightened by squeezing the ropes that connect the top and bottom heads. Similarly, the tabla is tuned by hammering a disc held in place around the drum by ropes stretching from the top to bottom head. Orchestral timpani can be quickly tuned to precise pitches by using a foot pedal.

Sound of a drum[edit]

Several American Indian-style drums for sale at the National Museum of the American Indian.

Several factors determine the sound a drum produces, including the type, shape and construction of the drum shell, the type of drum heads it has, and the tension of these drumheads. Different drum sounds have different uses in music. Take, for example, the modernTom-tom drum. A jazz drummer may want drums that are high pitched, resonant and quiet whereas a rock drummer may prefer drums that are loud, dry and low-pitched. Since these drummers want different sounds, their drums are constructed a little differently.

The drum head has the most effect on how a drum sounds. Each type of drum head serves its own musical purpose and has its own unique sound. Double-ply drumheads dampen high frequency harmonics because they are heavier and they are suited to heavy playing.^[3]Drum heads with a white, textured coating on them muffle the overtones of the drum head slightly, producing a less diverse pitch. Drum heads with central silver or black dots tend to muffle the overtones even more. And drum heads with perimeter sound rings mostly eliminate overtones (Howie 2005). Some jazz drummers avoid using thick drum heads, preferring single ply drum heads or drum heads with no muffling. Rock drummers often prefer the thicker or coated drum heads.

The second biggest factor that affects drum sound is head tension against the shell. When the hoop is placed around the drum head and shell and tightened down with tension rods, the tension of the head can be adjusted. When the tension is increased, the amplitude of the sound is reduced and the frequency is increased, making the pitch higher and the volume lower.

The type of shell also affects the sound of a drum. Because the vibrations resonate in the shell of the drum, the shell can be used to increase the volume and to manipulate the type of sound produced. The larger the diameter of the shell, the lower the pitch. The larger the depth of the drum, the louder the volume. Shell thickness also determines the volume of drums. Thicker shells produce louder drums. Mahogany raises the frequency of low pitches and keeps higher frequencies at about the same speed. When choosing a set of shells, a jazz drummer may want smaller maple shells, while a rock drummer may want larger birch shells. For more information about tuning drums or the physics of a drum, visit the external links listed below.

History[edit]

Moche ceramic vessel depicting a drummer. Larco Museum Collection. Lima-Peru

The drum is the oldest known instrument in the world dating back to 4000 BC in Egypt.^[4] Drums made with alligator skins have been found in Neolithic cultures located in China, dating to a period of 5500–2350 BC. In literary records, drums manifested shamanistic characteristics were often used in ritual ceremonies.^[5]

Bronze Dong Son drums are were fabricated by the Bronze Age Dong Son culture of northern Vietnam. They include the ornate Ngoc Lu drum.

Animal drumming[edit]

Macaque monkeys drum objects in a rhythmic way to show social dominance and this has been shown to be processed in a similar way in their brains to vocalizations suggesting an evolutionary origin to drumming as part of social communication.^[6] Other primates make drumming sounds by chest beating or hand clapping,^[7][8] and rodents such as kangaroo rats also make similar sounds using their paws on the ground.^[9]

Talking drums[edit]

Main article: Talking drum

Drums are used not only for their musical qualities, but also as a means of communication over great distances. The talking drums of Africa are used to imitate the tone patterns of spoken language. Throughout Sri Lankan history drums have been used for communication between the state and the community, and Sri Lankan drums have a history stretching back over 2500 years.

Drums in art[edit]

Drumming may be a purposeful expression of emotion for entertainment, spiritualism and communication. Many cultures practice drumming as a spiritual or religious passage and interpret drummed rhythm similarly to spoken language or prayer. Drumming has developed over millennia to be a powerful art form. Drumming is commonly viewed as the root of music and is sometimes performed as a kinesthetic dance. As a discipline, drumming concentrates on training the body to punctuate, convey and interpret musical rhythmic intention to an audience and to the performer.

Military uses[edit]

Further information: Military drums

Chinese troops used tàigǔ drums to motivate troops, to help set a marching pace, and to call out orders or announcements. For example, during a war between Qi and Lu in 684 BC, the effect of drum on soldier's morale is employed to change the result of a major battle. Fife-and-drum corps of Swiss mercenary foot soldiers also used drums. They used an early version of the snare drum carried over the player's right shoulder, suspended by a strap (typically played with one hand using traditional grip). It is to this instrument that the English word "drum" was first used. Similarly, during the English Civil War rope-tension drums would be carried by junior officers as a means to relay commands from senior officers over the noise of battle. These were also hung over the shoulder of the drummer and typically played with two drum sticks. Different regiments and companies would have distinctive and unique drum beats only they recognized. In the mid-19th century, the Scottish military started incorporating pipe bands into their Highland Regiments.^[10]

	Drum - Cadence A MENU 0:00 Drum - Cadence B MENU 0:00 Drum - Four Flams MENU 0:00 Snare drum cadences performed by theUnited States Navy Band
Problems playing these files? See media help.

During pre-Columbian warfare, Aztec nations were known to have used drums to send signals to the battling warriors. The Nahuatl word for drum is roughly translated as huehuetl.^[11]

The Rig Veda, one of the oldest religious scriptures in the world, contain several references to the use of Dundhubi (war drum). Arya tribes charged into battle to the beating of the war drum and chanting of a hymn that appears in Book VI of the Rig Veda and also the Atharva Veda where it is referred to as the "Hymn to the battle drum".

Types of drum[edit]

Aburukuwa Ashiko Bass drum Batá Bedug Bodhrán Bongo drums Bougarabou Cajón Candombe drums Chalice drum Chenda Cocktail drum Conga Crowdy-crawn

Darbuka Damphu Davul Dayereh Dhak Dhimay Dhol Dholak Djembe Dong Son drum Doumbek Dunun Ewe Drums Frame drum Goblet drum

Hand drum Ilimba drum Karyenda Kpanlogo Lambeg drum Log drum Madal Mridangam Repinique Side drum (Marching snare drum) Slit drum Snare drum Steelpan (Steel drum) Surdo

Tabor Tamborim Tambourine Taiko Taos drum Tabla Talking drum Tapan Tar Tavil Tenor drum Timbales Timpani Tombak Tom-tom drum Tongue drum

Diambil dari https://en.wikipedia.org/wiki/Drum